"It's such a huge honour. It's not something that our country's sort of seen very often. So I think when we are given the opportunity, I think we did give up a lot of humility and a lot of gratitude." – This is how Bollywood star Deepika Padukone reacted as she walked the red carpet at the Cannes Film Festival as part of this year’s jury.
The award-winning actor made heads turn with her glamorous entry wearing a saree designed by none other than Sabyasachi Mukherjee. Although she has been a regular at Cannes over the years, this year she marks her debut as one of the eight-member jury board that votes on the films for the awards – including Rebecca Hall, Noomi Rapace, Jasmine Trinca, Asghar Farhadi, Ladj Ly, Jeff Nichols and Joachim Trier.
In the exquisite Sabyasachi, the Bollywood diva exuded retro vibes with her golden-black shimmery saree. She opted for bold make-up with her dramatic winger eyeliner serving as the major highlight of her look.
Talking about the co-existence of streaming platforms and cinematic releases, the 36-year-old actor said to Reuters: "I don't think that one is sort of eating into the other. Have filmmakers had to, have had to adapt? Yes. Maybe. Maybe the kind of stories that we tell, maybe in the formats that we tell them in, a little bit.
“Maybe if you're making a film for an OTT (streaming) platform, maybe the kind of story that you're telling or the scale of it might vary a little bit. But I look at it as a good thing. I feel like it's given so many more people, so many more opportunities - actors, writers, producers, directors. So I just look at it as a much bigger opportunity."
The Film Festival, which opened this week, is gearing up for a bumper 75th anniversary edition with a selection of big Hollywood names, buzzy newcomers and previous Palme d'Or winners – a splashy return even as the conflict in Ukraine looms over festivities.
"I honestly think this is one of the best Cannes line-ups in years," said Scott Roxborough, European bureau chief for ‘The Hollywood Reporter’.
The festival runs from May 17-28, resuming its traditional calendar following two years of pandemic disruptions. It was canceled in 2020, and last year moved to July, when it was held under strict COVID protocols.
This year, the parties are back and Hollywood heavyweights will include Tom Cruise's ‘Top Gun Maverick’ – bringing the star to Cannes for the first time in three decades – as well as Baz Luhrmann's Elvis biopic, starring Austin Butler and Tom Hanks.
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"It's tradition to have our American friends – let's not forget that the Cannes Festival, in 1939 and in 1946, was practically co-built, co-invented by France and Hollywood," festival director Thierry Fremaux told a press conference.
Actor Forest Whitaker will be on hand to receive the festival's Honorary Palme D'Or for lifetime achievement.
David Cronenberg will mark his return to horror films with ‘Crimes of the Future’, featuring Viggo Mortensen, Kristen Stewart and Lea Seydoux.
Asia will have a strong showing, despite the absence of China, with films by Park Chan-wook and Hirokazu Kore-eda in competition and ‘Squid Game’ actor Lee Jung-jae premiering his new film "Hunt."
"Everyone wants to sort of come back for this moment, sort of this re-awakening of cinema here in Cannes," said Roxborough.
The festival opens with a zombie film, ‘Final cut’, by French filmmaker Michel Hazanavicius, who changed the title from ‘Z, like Z’ to strip out a reference to the letter which has become associated with the war in Ukraine. The festival banned official Russian delegations from the event but will feature ‘Tchaikovski's Wife’ by exiled Russian director Kirill Serebrennikov, who has been outspoken about the war.
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Also screening is ‘Mariupolis 2’ by Lithuanian director Mantas Kvedaravicius, 45, who was killed in Mariupol, the Ukrainian city heavily bombarded by Russian forces, nearly a month ago while working on the film. His fiancée Hanna Bilobrova, who finished the project, will present it.
Another Ukrainian entry is a debut film from Maksim Nakonechnyi, ‘Butterfly Vision’, the story of a young Ukrainian woman who returns to her country after being captured then released in a prisoner swap.
"We will be thinking a lot about film, but we will never stop thinking about what is happening in Ukraine as well," said Fremaux, who was peppered with questions about the festival's position on the war.
(Reuters/ANI)